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Rebecca solnit
Rebecca solnit








rebecca solnit

So was pretty much everything Thoreau published, and Emily Dickinson published only a handful of poems in her lifetime but wrote thousands.Ĥ) Listen.

rebecca solnit

And actually it was a quiet failure at the time. Imagine Herman Melville in workshop in 1849 being told by all his peers that he needed to cut all those informative digressions and really his big whale book was kind of dull and why did it take him so long to get to the point. Or belong to the other world that is not quite this one, the world from which you send back your messages. Originality is partly a matter of having your own influences: read evolutionary biology textbooks or the Old Testament, find your metaphors where no one’s looking, don’t belong. Check out the bestseller list for April 1935 or August 1978 if you don’t believe me. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. Literature is not high school and it’s not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Read good writing, and don’t live in the present. And you might get those magical perfect passages if you write a lot, including all the stuff that isn’t magic that has to be cut, rethought, revised, fact-checked, and cleaned up.ģ) Read. Well, some things almost are, but they’re freaks. There is such thing as too much revision-I’ve seen things that were amazing in the 17 th version get flattened out in the 23 rd-but nothing is born perfect. Typing is this little transaction in the middle of two vast thoughtful processes. Write bad stuff because the road to good writing is made out of words and not all of them are well-arranged words.Ģ) Remember that writing is not typing. Thinking, researching, contemplating, outlining, composing in your head and in sketches, maybe some typing, with revisions as you go, and then more revisions, deletions, emendations, additions, reflections, setting aside and returning afresh, because a good writer is always a good editor of his or her own work. Maybe at the outset you’ll be like a toddler-the terrible twos are partly about being frustrated because you’re smarter than your motor skills or your mouth, you want to color the picture, ask for the toy, and you’re bumbling, incoherent and no one gets it, but it’s not only time that gets the kid onward to more sophistication and skill, it’s effort and practice. But start small: write a good sentence, then a good paragraph, and don’t be dreaming about writing the great American novel or what you’ll wear at the awards ceremony because that’s not what writing’s about or how you get there from here. Write what you most passionately want to write, not blogs, posts, tweets or all the disposable bubblewrap in which modern life is cushioned.










Rebecca solnit